这一首《Wide Awake(Album Version)》lyric歌曲是由歌手Audioslave演唱，发布于个人Revelations专辑里，H吉他网整理分享最新的完整版歌词如下：
Wide Awake – Audioslave
You can a look a hurricane right in the eye
1200 people dead or left to die
Follow the leaders
We’re in an eye for an eye we’ll all be blind
Death for murder and this I’m sure
In this uncertain time
So come pull the sheet over my eyes
So I can sleep tonight
Despite what I’ve seen today
I find you guilty of a crime
Of sleeping at a time
When you should have been wide awake
Down on the road the world is floating by
The poor and undefended left behind
While you’re somewhere trading lives for oil
As if the whole world were blind hey
So come pull the sheet over my eyes
So I can sleep tonight
Despite what I’ve seen today
I find you guilty of a crime
Of sleeping at a time
When you should have been wide awake
Come pull the sheet over my eyes
So I can sleep tonight
Despite what I’ve seen today
I find you guilty of a crime
Of sleeping at a time
When you should have been wide awake
Wide awake Wide awake
Wide awake Wide awake
by Stephen Thomas ErlewineGiven the short distance separating Audioslave’s second album, Out of Exile, in 2005 and their third, Revelations, in 2006, it’s easy to assume that the Rage Against the Machine\u002FSoundgarden supergroup has finally turned into an actual working band — either that or the group is working hard to get to the end of their contract so they can go their separate ways (a suspicion stoked by the flurry of Chris Cornell-centric press surrounding its release, including the announcement that he’s recording a solo album and will be singing the theme song for the new James Bond film, Casino Royale, on his own). Whether or not either theory is proven true over time doesn’t change the fact that Revelations builds upon Out of Exile, sounding even more like the work of a genuine band than its predecessor. In light of this record, Out of Exile feels driven by Cornell, which itself was a shift away from the Rage-driven debut. Here, the two are integrated fully into a distinctive sound, one that’s tight and focused, one that’s aggressive but not overly heavy. Also, Audioslave has become increasingly rhythm-driven instead of riff-driven; even on the slower songs and heavy rockers, the pulse and pull of the rhythm defines the song more than the riff. Given this emphasis on rhythm, it’s not a surprise that Audioslave displays an overt funk and soul influence here, ranging from the hard funk of \
