这一首《B.O.B.(Bombs Over Baghdad)》lyric歌曲是由歌手OutKast演唱，发布于个人Stankonia专辑里，H吉他网整理分享最新的完整版歌词如下：
1 2 1 2 3 yeah
In-slum-national underground
Thunder pounds when I stomp the ground （Woo ）
Like a million elephants with silverback orangutans
You can’t stop a train
Who want some Don’t come un-pre-pared
I’ll be there but when I leave there
Better be a household name
Weather man tellin’ us it ain’t gon’ rain
So now we sittin’ in a drop-top soakin wet
In a silk suit tryin’ not to sweat
Hits somersaults without the net
But this’ll be the year that we won’t forget
One-Nine-Nine-Nine Ano Domini anything goes be whatchu wanna be
Long as you know consequences are given for livin – the fence is
Too high to jump in jail
Too low to dig I might just touch hell – HOT
Get a life now they gon’ sell
Then I might catch you a spell look at what came in the mail
A scale and some Arm and Hammer so grow grid and some baby maker
Black Cadillac and a pack of pampers
Stack of question with no answers
Cure for cancer cure for AIDS
Make a ni**a wanna stay on tour for days
Get back home things are wrong
Well not really it was bad all along
Before you left adds up to a ball of power
Thoughts at a thousands miles per hour
Hello ghetto let your brain breathe
Don’t pull the thang out unless you plan to bang
Bombs over Baghdad
Yeah Ha ha yeah
Don’t even bang unless you plan to hit something
Bombs over Baghdad
Yeah Uhh-huh
Don’t pull the thang out unless you plan to bang
Bombs over Baghdad
Yeah Ha ha yeah
Don’t even bang unless you plan to hit something
Bombs over Baghdad
Yeah Uhh-huh
Uno dos tres it’s on
Did you ever think a pimp rock a microphone
Like that there boi and will still stay street
Big things happen every time we meet
Like a track team crack fiend dyin to geek
Outkast bumpin’ up and down the street
Slam back Cadillac ’bout five ni**a deep
Seventy-five emcee’s freestylin’ to the beat
Cause we get krunk stay drunk at the club
Should have bought an ounce but you caught the dub
Should have held back but you throwed the punch
‘Spose to meet your girl but you packed a lunch
No D to-the U to-the G for you
Got a son on the way by the name of Bamboo
Got a little baby girl four year Jordan
Never turn my back on my kids for them
Should have hit it （hit it） quit it （quit it） rag （rag） top （top）
Before you read up get a laptop
Make a business for yourself boy set some goals
Make a fair diamond out of dusty coals
Record number four but we on a roll
Hold up slow up stop +Control+
Like Janet planets Stankonia’s on ya
Movin like Floyd comin’ straight to Florida
Lock all your windows then block the quarters
Pullin’ off on bell ’cause a whippins in order
Like a three piece fist ‘fore I cut your daughter
Yo quiero Taco Bell then I hit the border
Penny pap rappers tryin’ to get the five
I’m a microphone fiend tryin’ to stay alive
When you come to ATL boi you better not hide
Cause the Dungeon Family gon’ ride hah
Don’t pull the thang out unless you plan to bang
Bombs over Baghdad
Yeah Ha ha yeah
Even bang unless you plan to hit something
Bombs over Baghdad
Yeah Uhh-huh
Don’t pull the thang out unless you plan to bang
Bombs over Baghdad
Yeah Ha ha yeah
Even bang unless you plan to hit something
Bombs over Baghdad
Yeah Uhh-huh
Bombs over Baghdad Yeah
Bombs over Baghdad Yeah
Bombs over Baghdad Yeah
Bombs over Baghdad Yeah
B-I-G B-O-I
An-An-Andre
To the T-O-P
Bob your head Rag top Bob your head Rag top Bob your head Rag top Bob your head Rag top Bob your head Rag top Bob your head Rag top Bob your head Rag top Bob your head Rag top Bob your head Rag top Bob your head Rag top Bob your head Rag top
（1 2 1 2 3 4） （Gimme some）
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说唱二人组Outkast的一张非常成功的专辑，给Hip Pop赋予了新的含义，专辑登上Billboard第二位，并且在The Village Voice 的票选中被选为年度最佳专辑，得到多项葛莱美提名，单曲Ms. Jackson成为冠军单曲。\n这张专辑在滚石杂志选出的500张历代最强专辑中排名第359位。\nby Steve Huey\nStankonia was OutKast’s second straight masterstroke, an album just as ambitious, just as all-over-the-map, and even hookier than its predecessor. With producers Organized Noize playing a diminished role, Stankonia reclaims the duo’s futuristic bent. Keyboardist\u002Fproducer Earthtone III helms most of the backing tracks, and while the live-performance approach is still present, there’s more reliance on programmed percussion, otherworldly synthesizers, and surreal sound effects. Yet the results are surprisingly warm and soulful, a trippy sort of techno-psychedelic funk. Every repeat listen seems to uncover some new element in the mix, but most of the songs have such memorable hooks that it’s easy to stay diverted. The immediate dividends include two of 2000’s best singles: "B.O.B." is the fastest of several tracks built on jittery drum’n’bass rhythms, but Andre and Big Boi keep up with awe-inspiring effortlessness. "Ms. Jackson," meanwhile, is an anguished plea directed at the mother of the mother of an out-of-wedlock child, tinged with regret, bitterness, and affection. Its sensitivity and social awareness are echoed in varying proportions elsewhere, from the Public Enemy-style rant "Gasoline Dreams" to the heartbreaking suicide tale "Toilet Tisha." But the group also returns to its roots for some of the most testosterone-drenched material since their debut. Then again, OutKast doesn’t take its posturing too seriously, which is why they can portray women holding their own, or make bizarre boasts about being "So Fresh, So Clean." Given the variety of moods, it helps that the album is broken up by brief, usually humorous interludes, which serve as a sort of reset button. It takes a few listens to pull everything together, but given the immense scope, it’s striking how few weak tracks there are. It’s no wonder Stankonia consolidated OutKast’s status as critics’ darlings, and began attracting broad new audiences: its across-the-board appeal and ambition overshadowed nearly every other pop album released in 2000.
